[4S3-OS-43] OS-43

[4S3-OS-43-01] Artificial Intelligence and Creativity: Beyond Human Imitation

〇Shigeru Kobayashi¹, Nao Tokui^2,3 (1. Institute of Advanced Media Arts and Sciences, 2. Qosmo, Inc., 3. Neutone, Inc.)

Keywords:AI, Creativity, Generative AI

The emergence of "generative AI" that produces text, images, and music has intensified discussions about creativity. Analyzing the essence of generative AI models through Floridi's critique reveals that the "works" generated by these models are merely ectypes derived from existing works that serve as archetypes. This clarifies the position of current generative AI models within Boden's three categories of creativity (combinational, exploratory, and transformational creativity): their creativity remains primarily at the combinational level. Given that humans not only change technology but are also changed by it, it is crucial to investigate the possibilities of transformational creativity through human-AI blending rather than questioning AI's creativity in isolation. From this perspective, this paper proposes a new design concept for AI tools that could lead to transformational creativity: the potential for creative appropriation or misuse, which allows for flexible use beyond its intended purposes. Investigating this design concept requires an integrated approach of theory and practice through collaboration among philosophers of technology, artists, and developers.